Claude Monet The House on the River Zaan in Zaandam painting

Claude Monet The House on the River Zaan in Zaandam paintingClaude Monet The Fields of Poppies paintingClaude Monet The Corner of the Garden at Montgeron painting
But adult Frin are ready to answer children's questions about the shared dreams and to discuss them, defining them always as dream, though not as unreal. There is no word corresponding to "unreal" in Frinthian; the nearest is "bodiless." So the children learn to live with adults' incomprehensible memories, unmentionable acts, and inexplicable emotions, much as do children who grow up on our plane amid the terrible incoherence of civil war or in times of plague and famine; or, indeed, children anywhere, at any time. Children learn what is real and what isn't, what to notice and what to ignore, as a survival tactic. It is hard for an outsider to judge, but my impression of Frinthian children is that they mature early, psychologically. By the age of seven or eight they are treated by adults as equals.
As for the animals, no one knows what they make of the human dreams they evidently participate in. The domestic beasts of the Frin seemed to me to be remarkably pleasant, trustful, and intelligent. They are generally well looked after. The fact that the Frin share their dreams with their animals might explain why they use animals to haul and plow and for milk and wool, but not as meat.